Ariel’s contributions to Emily Teixeira’s debut EP, “TIME” (2019):
alto and soprano saxophones on More Like Water, Transition (Meditation) and The City
mastering engineer
Ariel’s contribution to The Loud Brothers’ “Sambakkah” (2019):
co-production
co-arranging
mixing engineer
mastering engineer
Ariel’s contributions to BAERD’s 2nd album, “Crete” (2018):
alto and soprano saxophones in woodwind section (alongside Joel Gardella and Chris Gemerchak), heard prominently on Just Keep, Out of The, Need a Ship, If All Goes As Planned and Crete
arranging for woodwind section on Just Keep, Need a Ship and Crete
co-arranging for woodwind section on Out of The and If All Goes As Planned
Ariel’s contributions to Lucas Fonseca’s single, “Colloquium” (2018):
soprano saxophone
Ariel’s contributions to The New Triumph’s 2nd album, “Keep on Push’n” (2017):
alto and soprano saxophones
Ariel’s contributions to BAERD’s 1st album, “Progress” (2016):
arranged background vocals on Generosity, Happiness
arranged for woodwind section on Uncertain Refrain, Something Else
soprano saxophone on Generosity, Safer Apathy
alto and soprano saxophones on Uncertain Refrain, Something Else
background vocals on Happiness, Progress
Ariel’s contributions to Troy Osaki’s album of poetry, “Susumu” (2014):
composer
conducted The Tide, Sun/Son
piano on Morning Service, Legacy
Ariel’s contributions to various releases of Big World Breaks (2011-2014)
alto saxophone